Angie Martinez gifts this today, reminds at the start that Mary is a queen, has given much of her life to the public. And indeed this is leaking, tortured Mary. A complex terror in company, there are reminders from all three regal divas featured here that no one can fuck with you, you should fuck the world, resist buckling when pushed, feel yourself and pay no regard to whether or not you're being felt back. At the same time, you and your capacity for self-love are not just sane or crazy but dynamic; Wayne says there are times when you look at yourself in the mirror and are a challenge to your self as much as any other that drives you. Even Sean Combs talking about the pain one must move through to get to dancing, the crisis of being blended, mixed with violence, peace, shame in defeat. We assume some of these issues will come up in the Nina Simone biopic Mary is working on, also guessing that work moved her into the raw 'nom nom nom' noises she's hurling out on the chorus.
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Description : Made this sample with Falcon - Toy Suite and throwed some HalfTime, Pitchwheel, Reels, EQ, ValhallaVintageVerb and VariSpeed on it, to make it sound saucey.If you made something with it, i would love to hear it.IG & Twitter: Check profileTravis Scott, Drake, Lil Wayne, Future, Wheezy
"How to Love" is a song by American rapper Lil Wayne, released as the third single from his ninth studio album, Tha Carter IV. The song features production from Drum Up (LaMar Seymour, LaNelle Seymour) for Drum Up Digital with Noel "Detail" Fisher and was released as a digital download on June 13, 2011. It was later released to urban contemporary radio stations on June 24, 2011.[4] The song also makes it his first entry on hot adult contemporary stations, as CJFM-FM Montreal began playing it a month later after the single's release. It peaked at number 5 on the Billboard Hot 100, making it his third highest peak on the chart as the primary artist. Lil Wayne performed the song at the 2011 MTV Video Music Awards, and it received a nomination for "Best Video with a Message" at the 2012 MTV Video Music Awards.
The song features a slow, "stripped down"[5] production from Drum Up (LaMar Seymour, LaNelle Seymour) for Drum Up Digital with Noel "Detail" Fisher based largely around the sounds of an acoustic guitar and drums.[5] Wayne has said the song is about women who "don't know how to love because there's deep reasons for them not knowing how to love...And what I mean by deep reasons is deep and dark reasons." Furthermore, Wayne stated regarding the track that "A lot of people don't open up that can and I figured that I can open up that can of worms and see what happens."[6]
The video first shows a young woman deciding to not get an abortion and running out of the hospital. Her child is born a girl and lives through tough times with her single mother, due to her physically abusive, wife-beating father being in jail. When the girl is an adolescent, her mother's boyfriend molests her. When she becomes a teenager, she is promiscuous. When she became an adult, she has two children and soon becomes a stripper. A customer from the strip club pays her to have sex with him and she is diagnosed with HIV. She runs out of the hospital, like her mother at the beginning of the video. The music video then rewinds and shows a different life that the girl could have lived. Her mother would move into her own mother's house and even marry a better man, with her little daughter as flower girl with a clear view of a healthy, respectful, and loving marriage. In the end, the daughter grows up to be smarter and more mature, and graduates from high school, making her mother and grandmother proud. When she becomes an adult, she is in the same hospital again awaiting a test result. The doctor tells her she is pregnant, and she is happy and hugs her mother, thanking her for teaching her "how to love."
The video opens in an abortion clinic, where a woman lies in a gown on the operating table. Suddenly she changes her mind and flies off the table and through the clinic's hall, choosing to keep her child. Shortly after that, the song's acoustic guitar licks drop in and we see a shirtless Wayne alone in a dimly lit hallway, singing, "You had a lot of crooks try to steal your heart, never really had luck, could never figure out how to love."
There is hope, however; in a rewind sequence the victim's life is redone. In an alternate reality, the domestic violence her mother originally faced is erased. Instead, she marries in a church ceremony, and with no abuse or prison visits to speak of, her daughter's life is now set right. Consequently, Patton's character endures no molestation, nor does she resort to stripping or prostitution. Instead she graduates from high school and enrolls in beauty school. Eventually, she winds up in the same doctor's office seen earlier in the clip -- only this time the news is good: The beauty school grad finds out she's pregnant and reacts with a joyous sigh, before turning to her mother to say, "Thank you, just thank you for being there for me and teaching me how to love."
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Da Drought 3 [Purloined Datadisc, 2007]"How come every joint be on point like a harpoon/How come every bar stand strong like a barstool/How come every line is so raw you gon' snort two?" All right, so he's exaggerating--he wouldn't be the best rapper alive if he didn't. But from the off-time stammer that intros "Intro"--one of my favorite moments on one of my favorite tracks on the double-CD I now possess in two-and-a-half slightly different versions--rarely has pop excess been so ebullient, or do I mean pop ebullience been so excessive? When I says he loves to rhyme I don't mean he loves to spout verses--I mean "earphone," "real on," "in gear homes," "beer foam," "queer on," "Lear home," "Pam Grier on," "cashmere on," "Eric Dampier dog," "Bill Laimbeer on." And if they don't exactly rhyme, the best rapper alive will squoosh around until they do--that series proceeds from "grill on," "ceilin'," and "keep it real on." Does he make it up as he goes along, as is claimed? Could be, because his words have little to do with storytelling or any other species of coherence. They are among other things silly, which bodes ill for his reputation on the so-called street--the Reality Police know that his guns, cocaine, pimping, murdering, etc. are the formal play of a beat jacker who at 24 has spent half his life as a professional musician. Someday he may feel the need to re-establish his bona fides. Right now he has too much money. A
The Drought Is Over 2: The Carter 3 Sessions [mixtape4u.com, 2007]Title and label approximate. I prefer the other version of this ad hoc collection in my possession even though it slices the ends off tracks--it's louder, with hotter unmatched songs. But I'm reviewing this because it's obtainable online even with mixtape4u.com now drawing a blank. Look above Wayne's name on the cover image for "The Empire," words that repeat in annoying voiceover ad infinitum; note also the Arabic three as opposed to the Roman numeral of the official release, which shares only a more casual "La La La" with this supposed leak. Skip it and you never hear the actually believable love plaint "What He Does," the in-their-face Beatles rip "Help," the celestially drugged-out "I Feel Like Dying," or, for instance, "I Know the Future": "Like a circle of knives/I got the sharpest flow around." Granted, maybe it's the jaggedest flow around, or the underground stream that slices through rock to move mountains. But superlatives apply. Snicker-snack, snicker-snack, he can't contain himself, the rare modern pop artist who says he's in it for money but always gives up the love rather than vice versa. A- 2ff7e9595c